Over the Limit (2018)
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By the end of the movie's brief 74 minutes, this resilient young woman seems shockingly untraumatized; the audience might not be so lucky.
With her first feature-length documentary Over the Limit, Polish writer-director Marta Prus does for rhythmic gymnastics what Damien Chazelle did for drumming in Whiplash.
Just watching it induces veritable stomach cramps, though it's impossible to turn away from the film's whipcrack construction and expert manipulation of perspective.
Prus' ability to capture the essential elements of Mamun's training regimen is the linchpin which makes Over the Limit such an intriguing film to experience.
The strength of Prus's film comes from her determined refusal to mine Mamun's inescapably fraught situation for melodramatic effect.
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